Greta Van Fleet @ O2 Academy, Glasgow 6 November 2019

Several months later than planned, Boy Child and I found ourselves heading to Glasgow on a dark, wet, cold, miserable night in November. No 525 to Glasgow this time- we took the car- but we did enjoy a short ride on the city’s subway. Getting off at Bridge Street, we headed across to the O2 Academy. Both of us were thankful that there was a relatively short O2 priority queue and we were able to shelter from the elements under the scaffolding at the front of the building.

So, who were we standing out in the rain waiting to see? Michigan’s own Greta Van Fleet.

Our patient wait paid off and we were rewarded with a prime rail spot for the evening.

Support for the evening was provided by Yola. This Bristol born Americana/soul queen commands a striking presence on stage. What a voice!!! Awesome! Backed by numerous and varied musicians, Yola steadily won the Scottish crowd over (once they’d recovered from the shock of the opening impression – this fabulous lady was not what anyone expected least of all me) Highlights of her forty minute set were Walk Through Fire, the title track from her current album, and the more mellow countrified It Ain’t Easier. Yola brought a fantastic set to a magnificent end with a cover of Big Yellow Taxi.

Definitely a lady to check out in future. She’s back in Glasgow later this month with a headline show at Oran Mor.

 

https://youtu.be/DrvOgJbqYp0

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As the fans patiently waited, the air of anticipation began to build. Boy Child and I had been among the lucky few to see Greta Van Fleet play an intimate show at St Luke’s in Glasgow about 18 months ago but, for the majority of the capacity crowd, this rescheduled show in the O2 Academy was the first chance they’d had to see these talented young musicians. I was pretty confident that this was one show worth waiting for.

Eventually, after a lengthy wait, around 9.15pm the light dimmed and the clouds of dry ice wafted out over the crowd.

Greta Van Fleet opened their long awaited set with The Cold Wind from their album Anthem of the Peaceful Army. The Glasgow crowd were far from peaceful!

 

https://youtu.be/DrvOgJbqYp0

 

Highway Tune and the mighty Black Smoke Rising, two of my personal favourites from their debut EP From The Fires, followed.

Three songs in, a third of the way through the set, it was clear to see and hear just what a wealth of talent there is in this band. It’s hard to remember that the oldest members of the band are only 23years old. There have been countless comparisons and endless debate about who these boys may or may not be influenced by and I’ll not resurrect that debate here. However, I will add that I felt there were strong influences of Geddy Lee from Rush filtering into the mix. There is no denying that Greta Van Fleet have their hearts in the 1970’s but they have revitalised this iconic period for a stellar 21st Century performance.

Josh Kiszka has an incredible voice – FACT! (I just hope he takes good care of it to ensure longevity here) He might lack a little with regards to repartee with the fans from the stage but I’m sure, as the band continue to grow and play bigger and bigger venues, this will evolve. What he lacks in chat, he more than makes up for in dramatic gestures and poses. Overall there is a hint of “theatrical choreography” to this performance and there’s a hell of a lot of dry ice!

Twin brother, Jake, got to shine during the lengthy guitar solo of Black Flag Exposition. He has so much talent literally at his fingertips.Fortunately, they reeled this one back in just before it began to feel too lengthy.

 

https://www.youtube.com/watch?v=08d_9gwBq3c

 

Younger brother, bassist, Sam shone all night. He plays an awesome bass and extra brownie points for placing those discarded shoes so neatly together!

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The three brothers somewhat over shadow drummer Danny Wagner and personally I’d like to see him enjoy a few minutes in the spotlight next time out.

By now it was apparent that this show was more than just a gig. This one was something a bit special.

After a mere nine songs- yes a meagre nine songs that included one cover song(The Music Is You – John Denver), Greta Van Fleet closed out their main set with the aptly titled When The Curtain Falls.

Impatiently, the Scottish fans waited for the band to return to the stage, passing the time with the usual “Glasgow chant”.

Greta Van Fleet returned to the stage for a three song encore that started with Flower Power and ended with Safari Song.

https://www.youtube.com/watch?v=_vU607a0FCU

And like that, after eight months of waiting, it was all over and done with in less than ninety minutes.

Short, very short, but oh so sweet.

Hurry back, boys.

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The Kris Barras Band @ Oran Mor, Glasgow 23/10/19

Last Wednesday evening saw a change in the order of things ….. I was the one chaperoning Mr A to a show. (Don’t deny it – this one was your call) So, in a change to the norm, I was chauffeur driven to Glasgow then we took a short subway ride before enjoying a short, if damp, walk to the venue for the evening.

Literally The Venue at Oran Mor in the city’s West End.

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(credits to the owner via Google)

To give you a brief history lesson- Oran Mor is the former Kelvinside Hillhead Parish Church. It was completed in 1876 and served as a parish church until it amalgamated with another parish in 1978. Having closed its doors on it final sermon, the building was converted into a restaurant and music venue and hey presto Oran Mor was born. The Venue is to be found in the former church’s basement.

So, who were we there to see? The Kris Barras Band.

There was only one support act lined up for the evening – Elles Bailey. Hailing from Bristol, Elles is a singer/songwriter with her musical heart soaked in the roots of country/blues/Americana music. In front of a growing crowd, she delivered a brilliant eight song set. Drawing heavily on the track listing of her current album Road I Call Home, Elles swiftly captivated the Scottish crowd. She struck the perfect balance between singing and interacting with the audience in front of her. Elles’s delivery is really quite engaging and easily drew the Scottish audience to her. Some of her songs tell stories and Medicine Man was one such song- definitely the highlight song of her set for me personally. This song was dedicated to her former manager whom she likened to your old style travelling medicine man (charlatan). By the time she reached her final number The Venue was packed and she had every one of them (Mr A included) in the palm of her hand as she closed with The Road I Call Home.

Great set and I could be tempted to check out her headline show on 20 March 2020 in King Tuts. Tickets are sure to sell fast.

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With the PA tape playing John The Revelator from the Sons of Anarchy soundtrack, The Kris Barras Band took to the stage. (Love that song- kind of wish they’d actually played it) Appropriate choice perhaps….

Kris Barras kicked things off with Ignite (Light It Up) from his recently released Light It Up album getting the evening off to an explosive start. Right from the get go these guys had the crowd engaged and kept the energy levels high despite Kris confessing he was feeling under the weather. (Man flu I suspect) His performance didn’t suffer as a result.

Mid-set Kris slowed things down a little with sultry blues number Rain. This track perhaps showed a softer side to the former MMA star and for me was one of the highlight moments of the evening.

https://www.youtube.com/watch?v=CmanjMdE350

Kris alluded further to his MMA cage fighting past a few songs later as he sang Broken Teeth.

Having seen these guys support Black Stone Cherry a few months back one thing that struck me then and again here was the knack Kris has of knowing when to stop, of knowing when its enough and to turn the tap off on the solos. There are a few far bigger names (I’ll not mention any for fear of offending anyone) who could learn a trick or two from this young man.

I’ve never seen any of footage of his MMA days but Kris Barras is a master at his trade on stage and deserves to be playing to much bigger rooms than The Venue.

Watching Over Me followed Broken Teeth and was perhaps the most poignant moment of the evening as Kris revealed it was the first song he’d written and that it was dedicated to his biggest fan, his late father.

https://www.youtube.com/watch?v=JTJrqR4NPjo

I’m sure he’s proudly watching over you, Kris.

The main set was rounded out with my personal favourite (I was beginning to worry that he wasn’t going to play it) – Hail Mary. Love love love that song! – as did several hundred other Scottish fans.

https://www.youtube.com/watch?v=j0GJQ5AL-CQ

By now it was apparent that Kris wasn’t firing on all cylinders ( you could hear it in his voice) but it didn’t stop him from stepping back up for a two song encore. Proceedings ended with Going Down, a Freddie King cover, and with the vocals delivered by the two talented young ladies who had backed Kris all evening.

All in all, the Kris Barras Band lit up The Venue with an awesome night of music.

Hurry back!

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Volbeat at O2 Academy, Glasgow 24/09/19

A doors open check in the wee small hours of Tuesday morning averted disaster for this outing.

5.30pm! EEK! Cue rapid rearrangement of travel plans for all concerned!

Mr A and I boarded the 3:50 train (not the 5:25 as previously planned) to head towards Glasgow. We rendezvoused with Boy Child in the Central Station. FB Son however was still MIA. (He was in possession of his ticket though and did eventually catch up a couple of hours later in the venue.)

The early doors open time would appear to have caught out more than a few folk judging by the short queue that greeted us at the O2 Academy shortly after 5pm.

So, who had us heading out for the night at such an early hour?

The mighty Danes – Volbeat!

At 6.30, opening act Danko Jones took to the stage in front of a growing crowd. The Canadian trio played their hearts out during their half hour slot but poor sound quality plagued their efforts, detracting from their performance. There is something likeable and engagingly energetic about their front man, Danko Jones. He doesn’t so much wear his heart on his sleeve but in his facial expressions. To paraphrase a Scottish saying, he gives his face a “leathering”.

I’ll give these guys the benefit of the doubt and perhaps check them out again another day when the venue is smaller and the sound clearer.

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Next up were Baroness. There’s no denying that front man John Baizley is an imposing, if somewhat intimidating, sight on stage but like Danko Jones before them, Baroness were scuppered by sound issues. It was impossible to hear the vocals. Baroness’ sludge metal sound isn’t to my taste on a good day so I’ll leave that thought there…….

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Temperatures were rising in the now packed venue as the fans patiently awaited the arrival on stage of headliners Volbeat.

Silently, I prayed that the sound woes for the night were over……

As the lights dimmed and Motorhead’s Born To Raise Hell rang out, I held my breath.

Volbeat opened their set with Cheapside Sloggers, from their current album Rewind, Replay, Rebound, and they sounded sweet. Whew!

https://www.youtube.com/watch?v=mFhiMNGFyaQ

One of my personal favourites, Doc Holliday, followed- love that song – and the crowd surfing commenced in earnest.

Glasgow was already showing her love for Volbeat!

For the next ninety some minutes, the band couldn’t put a foot wrong in the eyes of this passionate, lively crowd.

Another firm favourite, Lola Montez, followed a couple of songs further into the twenty-song set and the Glasgow Rock Choir proved it was in fine voice.

(Around this time, I did feel for my Boy Child who currently has a wrecked shoulder. I could see he was itching to get in among the mosh pit but for this evening that was firmly out of bounds to him – sorry, son.)

Up on stage, Volbeat looked relaxed and genuinely happy to be there. Glasgow was only the second stop on the current leg of their tour but they’ve found their groove.

From under his trademark flat cap, Rob Caggiano grinned out at the fans all night. Even the more serious looking Kaspar Boye Larsen was spotted sporting a smile.

Michael Poulsen is a charismatic front man but he seemed a little less “chatty” than on previous occasions. Don’t get me wrong, he still engaged with the fans – perhaps he was saving his voice. He was vocal enough when expressing his love for Johnny Cash before Volbeat played a blinding version of Sad Man’s Tongue. Merely, an observation, but I’d love to hear Michael sing Hurt…. maybe one day…. hint… hint….

https://www.youtube.com/watch?v=MtyTVgqsMak

Volbeat’s only guest of the evening joined them for the next song. Danko Jones came out to share the vocal chores on Black Rose much to the delight of the crowd. Awesome stuff!

Black Rose was followed by another song from Volbeat’s latest album. When We Were Kids is as close to a ballad as these guys get. I love ballads but, sorry, guys, this one misses the mark for me. Hundreds of other fans obviously disagree as the audience on the whole loved it.

Volbeat swiftly redeemed themselves in my eyes by moving into Die To Live, also from the latest album, and then the thunderous Slaytan.

And still the crowd surfers came over down the centre, including at one point FB Son! (I’ll have words with him later.)

Volbeat rounded out their main set with four monumental songs- Sorry Sack Of Bones (one of the highlights from Rewind Replay Rebound), fan favourite Seal The Deal, Last Day Under The Sun (another highlight from the current album) and Hallelujah Goat from their 2008 album Guitar Gangsters & Cadillac Blood.

Old blood mixed to perfection with the new……but something was missing!

Surely Volbeat weren’t going to let me down and leave this one particular song off the set list?

I needn’t have worried.

Volbeat opened their four-song encore with it! I absolutely love The Devil’s Bleeding Crown and, judging by the reaction it received, so do hundreds of other Scottish Volbeat fans!

https://www.youtube.com/watch?v=THsS5u8_UBg

Glasgow was treated to a premiere performance of Rewind The Exit next, another great song from the current album that will hopefully find a permanent home in the setlist…. hint!

As ever, Michael Poulsen asked for the younger members from the audience to join Volbeat on stage for their final song of the night – Still Counting.

A handful of enthusiastic junior fans joined the band within a few moments. It was heart-warming to see those kids rocking out with Volbeat, creating memories that they will carry with them for days, weeks and years to come.

Awesome show!

Hurry back, Volbeat. Glasgow loves you.

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Massive @ Stereo, Glasgow 21 August 2019

The weather miracle ended… it was pouring as Boy Child and I boarded the 6:24 to Glasgow last Wednesday night.

6:24? Why so late I hear you ask?

Well, the venue for the evening, Stereo, was a hop skip and a jump through the puddles from the station.

A new venue to us both, Stereo is to be found in the basement of Stereo Café Bar in Renfield Lane.

Who were we headed into the bowels of the earth to see?

The mighty Massive from Melbourne, Australia.

As we rounded the corner coming into the narrow, cobbled lane, we met Brad Marr, front man with the band, getting out of their van cum dressing room. Together the three of us headed inside. We lost Brad in the restaurant area as someone called him over to their table.

There were three bands on the bill for the evening and it was reassuring to see this small basement venue steadily filling up.

First on stage were Concrete Kingdoms from Dunfermline (according to their Facebook but from all over Scotland might be more appropriate). The small stage seemed more than a little cramped as this five piece delivered a blistering eight song opening support set. Loved the energy of vocalist Mark Hawthorne who reminded me on more than one occasion of David Draiman. Great engagement with the crowd. Would love to see these guys on a bigger stage with more room to really move around. At times the lack of space seemed to clip their wings. Check them out!

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Next up were The King Lot and this trio had brought their own fanbase with them en masse. Again, this was a new band to me but boy did they make an impression! There was a fabulous chemistry on stage between bass/vocalist Jason sweeny and guitarist Jay Moir. (Jay’s eyebrows may have stolen the show! LOL) One highlight moment during their set was when Jason introduced a song (Sorry, the title escapes me) by advising the audience that it was time to “do the Macarena”. Two young ladies down at the front ably obliged! Kudos to the band who managed to play through their suppressed laughter. Great set!

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One thing that truck me about both support acts was their willingness to talk to the crowd. Too many support acts at far bigger venues than Stereo steer clear of the whole talking to the audience.

I’m never sure if a Massive show is a rock concert or a rock party. Sadly, more than a handful of The King Lot fans bailed before the Aussie boys took to the stage but it was their loss.

Massive played a blinder!

No set list…. just good old RnFnR fun for ninety odd minutes.

More than a little tongue in cheek, Massive came on stage to the strains of “Down Under” by Men At Work. Who remembers that one from 1981? I’m pretty sure none of Massive were born when that was a hit!

Opening their high impact set with Generation Riot from their current album Rebuild Destroy, Massive started in explosive style.

 

https://www.youtube.com/watch?v=GyN0D59MjqA

 

I know I’m biased but I love these guys. Personally, I think they are highly under rated and, three albums in, deserve to be playing to much bigger rooms.

These boys give 100% every night to every aspect of the show…including the beers!

Their set was a balanced mix of songs from all albums (OK maybe less from the “poofy” second album as one of the band described it) but every song is awesome!

Massive soon had the room jumping and what Glasgow may have lacked in numbers they made up for in passion and enthusiasm for the band.

Highlights of the set were Dancefloor and One By One plus Roses, another anthem from the current record.

 

https://www.youtube.com/watch?v=LFPbVfUNLPo

 

https://www.youtube.com/watch?v=A2KFWi3pWI4

 

 

Both Brad Marr and guitarist Ben Laguda actively engaged with the fans…or they friends?…throughout the show. As on previous occasions, Ben’s Scottish family were in with one cousin making a couple of impromptu visits on stage. All good fun and added to the party vibe.

During a rare lull, Ben began to play and sing “You’re The Voice” by John Farnham. Both he and Brad seemed surprised when the Glasgow crowd sang along to the 1991 Australian classic hit. Boys, Glasgow loves its music and loves to sing!

Bassist Brenton Kewish seemed to be suffering slightly from “mechanical failure”. A bottle of superglue was omnipresent to deal with the situation. I was just relieved to note that he never stuck the injured digit to his bass strings! Heal fast, young man!

Highlight song as always for me was Ghost. From the very first time I heard that song I’ve been in love with it. Judging by the fans’ reaction, it’s everyone else’s favourite too.

 

https://www.youtube.com/watch?v=HYt6Vl6DFGo

 

Brad, I’d love to hear an acoustic version of this someday… HINT for when you return next June.

 

The party… sorry, the set… ended with a riotous rendition of Long Time Coming. Awesome stuff!

Success and stardom have been a Long Time Coming for these guys but they deserve it.

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Hurry back, boys!

 

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Crobot @ G2 Glasgow 22 July 2019

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The weather miracle continues…. on a hot sunny evening Boy Child and I boarded the 525 to Glasgow again chasing musical entertainment for the evening.

On this occasion we were destined for G2, the small  ground floor room at The Garage in the city’s Sauchiehall Street.

We were heading there in search of “beardos” Crobot from Pottsville PA.

Regular readers of this blog will know that I have a huge soft spot for these guys and have supported them since I was first given their debut EP to review more than five years ago.

I made a promise to Brandon and co then that I would be on the rail every time they came to Glasgow. It’s a promise I’ve kept. (OK I missed them supporting Airbourne in 2016 but only because I was elsewhere).

That first time I saw them in the sadly departed O2 ABC2 on 26 Sept 2014 there were only a handful of people there.

As Boy Child and I waited outside G2 I began to fear the same for the evening ahead. With only a few minutes to “doors open” there was no queue and very few likely suspects hanging about.

My fears proved to be unfounded, despite this show being dropped into the tour less than two weeks ago.

There were four bands on the bill.

First up were a young Glasgow band, Salt River Shakedown. You can’t fault their youthful enthusiasm, particularly when the small crowd looked to be made up largely of friends and family, nor their gratitude at being afforded the honour of opening for Crobot. Perhaps it was nerves…..perhaps it wasn’t……I’ll leave it there.

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Next up were another young band from Glasgow, Black King Cobra. Their beanie wearing frontman was oozing personality. Offering a much heavier set than the opening band, Black King Cobra got the growing crowd engaged and on side during their short set. Definitely a band I’d like to hear more from.

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The third band of the night were Wolf Jaw, formerly known as The Bad Flowers. Hailing form Cannock in the Midlands, this trio swiftly made themselves at home on the small stage and had the crowd on side. If their support set suffered from anything, it was the presence of the pillar on the stage. Front man, Tom Leighton, restricted himself largely to the one side of the stage, rarely venturing past the pillar. Personally, I’d have like to see him make better use of the whole space. That said, these guys delivered a solid set. Their debut album starting Gun is out now so do yourself a favour and check them out.

Finally, it was time for the mighty Crobot!

The opened their high energy twelve song set with Legend Of The Spaceborne Killer. The line up may have been revised since their last visit but the groove was there from the off with a renewed passion.

https://www.youtube.com/watch?v=BB3ctH6tW5Y

 

There’s no frills to these boys – just good old-fashioned, raw talent and passion from their swampy fuzz-laden unique sound and a lot of gyrations from slender frontman Brandon Yeagley.

Skull Of Geronimo, again from their debut album followed then the we were treated to the first track of the night from their forthcoming new album, Motherbrain, Keep Me Down. Nothing was keeping these guys down…literally!

My favourite Crobot song followed -La Mano de Lucifer, again from Something Supernatural. I know I am somewhat biased here but this song to me is Brandon at his finest. Love it!

https://www.youtube.com/watch?v=h7nLg_Mlh_c

 

Plague Of Mammoths from their second album, Welcome To Fat City, was a real crowd pleaser. How the rest of the band held it together while Brandon stomped around the stage acting like a mammoth is beyond me. Brilliant

I suspect the low ceiling restricted stage space and aforementioned pillar curtailed the band’s energetic delivery somewhat. However, Chris Bishop still managed his impressive guitar swinging trick without decapitating anyone and the pillar was given some close personal attention by Mr Yeagley. (Yes, Brandon, we saw you hitch your pants back up after “embracing” said pillar!)

During the set we were treated to two more songs from the forthcoming album- Burn and the awesome Alpha Dawg. Having heard these live I now cannot wait for Motherbrain to drop next month.

I still have a preference for the older stuff and loved Wizards, The Necromance and Queen Of The Light.

https://www.youtube.com/watch?v=5xByMxOh7u0

 

https://www.youtube.com/watch?v=MTbByTKXrDk

 

Sadly, all good things have to come to an end. All too soon Crobot were closing the show with Nowhere To Hide – not even behind the pillar!

Despite it being over three years since Crobot last rode into town, Glasgow showed that we love these crazy “beardos”.

Hurry back, boys. Sleazy’s is buying in more Buckfast in anticipation!

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Black Stone Cherry @ Barrowlands, Glasgow 16 July 2019

For the third gig in a row, it was a hot and sunny evening as Boy Child, Facebook Son, MR A and I set off on the 525 to Glasgow.

We were heading for the legendary Barrowlands Ballroom (Mr A’s first visit there this century LOL)

And who were we there to see?

Those lovely Black Stone Cherry boys.

Just to confuse me (easily done) the queue was snaking the wrong way round the building. As we stood in the shade, patiently waiting, a familiar face walked past… a certain Mr Ben Wells. Sadly, I was too slow off the mark and missed the opportunity to say “Hi.”

Once inside the venue something hit us… the heat! Even pretty much empty, Barrowlands was hot hot hot and it was filling up fast.

First onstage were a young Southern rock/blues band from Sulphur Well, Kentucky called Otis. These guys were fantastic. There was only one thing wrong with their support set- it was WAY too short! Six songs definitely weren’t enough. If you want to hear Otis for yourself, check out their debut album Eyes of the Sun. Hurry back, boys, Glasgow wants to hear a full set real soon!

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Next on the bill were The Kris Barras Band. Again, these guys were a new act to me although I have listened to their music on a few occasions in recent months. There’s no denying that Torquay-born front man Kris Barras is a striking presence on stage. A former MMA professional and a critically acclaimed blues guitarist, Kris himself present the ideal music package here (and, ladies, he’s easy on the eye.) As with Otis, only one complaint here and that is the set was too short. These guys were brilliant. Solid support set that had the fans fully charged and ready for the headliners. The Kris Barras Band’s new album Light It UP is out on 13 September and they will be returning to Glasgow for a headline show in October.

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By now the room was full and the sweat was pouring off everyone. Kudos to the security staff who were doing a sterling job keeping the fans hydrated. And kudos to the fans who were passing the water back from the front to the rows behind.

At 9.15, the lights dimmed, the bagpipes and pipe band played The Flower Of Scotland and amid much community singing, Black Stone Cherry stepped out on stage. The kicked off their seventeen-song set with Burnin’- very apt considering the temperatures!

https://www.youtube.com/watch?v=LOdaJ8Eu1uE

 

It’s been a joy to watch this band grow and develop over the years. Right from the off it was clear to all to hear and see that we were in for something special. All four guys plus friends on keyboards and bongos (Sorry, their names escape me) were relaxed and having fun. Someone had obviously recharged Ben’s batteries as he worked the stage to its full effect interspersing proceedings with countless energetic high kicks throughout the entire two-hour set. If you could bottle and sell that energy, you’d make a fortune.

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Chris Robertson has to be one of my favourite front men and it was a delight to see him in fine form, as ever wearing his heart on his sleeve. (I’m sure he’s a big softy)

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Blind Man and Me and Mary Jane followed the set opener. Loved the more chilled out almost Hawaiian feel to Me And Mary Jane – very appropriate!

The entire set was a great balance of the band’s music covering all albums. It was also suitably refreshed from their 2018 visit to the city’s SEC. With six albums under their belts, Black Stone Cherry can’t play all the fan favourites every night but…but…where was Rain Wizard? (I’ve a soft spot for that song as it was the first song Boy Child and I heard them play live over ten years ago. In fact, it was the first song my son heard at his first ever gig in May 2009)

There was no acoustic number on this occasion but mid-set the boys played the beautifully poignant Things My Father Said. Now, I’ll be open and honest here, for a million personal reasons on many levels, I struggle with this one these days. I’m pretty sure I wasn’t the only one in room in tears but my emotional moment caught the attention of Jon Lawhon. He paused in front of me for a few moments, offered an understanding smile and tipped his hat to me. a lovely heartfelt genuine gesture that was very much appreciated. Thank you.

The party atmosphere continued with the rousing Cheaper To Drink Alone and Ain’t Nobody before it was John Fred’s turn to shone in the spotlight. Awesome drum solo as ever that led nicely into Built For Comfort which slid neatly into a bit of a jam session. With John Fred out front on harmonica, a new drummer slipped behind the kit – the one and only multi-talented Chris Robertson. Brilliant!

Here’s a few moments of the magic

https://www.youtube.com/watch?v=NYEPYqwliAI

 

Blame It On The Boom Boom, White Trash Millionaire, a rip-roaring Lonely Train and Family Tree rounded off the main set.

Dripping with sweat and exhausted as they were the crowd was still chanting for more.

There truly is only one way to end a Black Stone Cherry show and that’s with Peace Is Free.

https://www.youtube.com/watch?v=HNI4LiSFny0

Incredible show from four of the best there is.

Hurry back, boys.

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Disturbed at the O2 Academy, Glasgow 13 May 2019

There’s a trend emerging here…. on a warm sunny evening – yes, another hot sunny Monday night gig in Scotland – Boy Child and I boarded the 525 to Glasgow.

Two gigs in a row and it hasn’t been cold or wet! 2019 is looking up!

Our destination was the O2 Academy

As the train drew into Glasgow’s Central Station, I hoped that I hadn’t built this one up too much in my head. We’d waited a long time to see this band headline.

So, who were we there to see? Disturbed!

When we arrived at the venue there were already two queues forming – one shorter queue for O2 Priority; one longer queue for everyone else. Got to love a smart phone deal – we joined the shorter queue. Happy days!

A rail spot wasn’t meant to be…. c’est la vie…but we made it to the third row off the rail and had a clear view of the stage.

There was only one support act – Skindred.

Now, I’m going to be totally honest here. I had heard of them but not heard them until about 4:40 that afternoon. Shortly before leaving the house I’d asked Alexa to play Skindred.

Hmmm…. maybe not…. was the initial impression.

At 7:30 after a blazing Thunderstruck intro tape had played, they opened with a cover of The Imperial March. Skindred was in da room!

Words fail me here… I’m truly at a loss as to how to describe the performance that followed.

Hailing from Wales, Skindred delivered a blistering forty-five-minute set. I think its fair to say that their thirteen song set covered all genres physically possible – metal, reggae, hard reggae, hardcore, ska, hip hop, heavy on the drum and bass with a some dubstep for good measure….oh and a crowd pleasing “If you’re loving it and you know it, clap your hands!”

Alexa misinformed me – in the kitchen, perhaps not…. live…most definitely YES!

The venue was getting hot….seriously hot… and as their set had progressed , front man Benji Webbe had stripped off his studded jacket, swapped his studded shades for more subtle ones then discarded those, removed his scarf and as he wiped the sweat from his brow, declared almost triumphantly, “It’s not chocolate!”

I’m not familiar enough with Skindred’s songs to name the highlights of their superb set. Benji, the charismatic flamboyant front man that he is, was a definite highlight.

I’ve a funny feeling this won’t be the last time I see these guys live Awesome start!

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As the road crew worked to turn the stage around in preparation for Disturbed’s arrival, the PA tape played. Then something truly magical happened. In The End by Linkin Park began to play. The Glasgow crowd began to sing….to sing Chester’s part. They couldn’t have sung any louder or sweeter or with more passion if the band themselves had been on the stage.

“I tried so hard and got so far

But in the end, it doesn’t matter

I had to fail to lose it al”

Glasgow didn’t fail Chester- he’s secure in their hearts forever.

How to follow that?

With Disturbed of course!

Poignantly, particularly in view of the Linkin Park moment and the fact that its Mental Health Awareness Week in the UK this week, Disturbed’s opening video encouraged the fans to come together as brothers and sisters and to care for each other.

The ninety plus minute set opened with Are You Ready from the band’s current album, Evolution.

Yes, we were ready…more than ready!

Right from the off, this show rocked. There may not have been any pyro but these guys were on fire…. or perhaps it was the heat!

David Draiman is a commanding presence on stage. His trademark floor length coat didn’t last long in the high temperatures. Warmly and sincerely when he first addressed the fans, he promised them a larger and cooler venue next time. Disturbed could had easily sold this venue out twice over.

Cooler would have been good but larger? Maybe, not too large, sir, as we’ll lose the intimacy of the show.

Disturbed dug deep into their repertoire to deliver a balanced set of old and new favourites. Prayer and The Vengeful One followed the set opener then two songs further in they played Stupify. This was followed by a spectacular guitar solo executed by Dan Donegan.

There were two covers on the seventeen-song set and the first of these was Genesis’ Land of Confusion. I’d forgotten just how good a song that really is. Awesome! Drummer Mike Wengren got his few minutes in the spotlight immediately after. The crowd stood transfixed by his drum solo. Bassist John Moyer wasn’t to be left out as his extended solo followed.

Just past the mid-point of the set, there was a change of pace as the giant video screen played a strong message about addiction and depression and mental health. As the footage played, the stage was rearranged for the eagerly anticipated acoustic interlude. The majority of the fans knew what was coming next.

Speaking straight from the heart, David Draiman drew the crowd together by highlighting that those who have suffered or are suffering or are supporting someone through addiction and depression re not alone and have A Reason To Fight.

A Reason To Fight has to be one of the most emotionally powerful songs I have ever heard live. The lyrics touch not just your heart but reach into your soul. There were tears, there were smiles, the mosh pit came to a standstill and there were tears and hugs there too. I’ve not done this moment justice in my description…sorry, you had to be there.

With my own cheeks wet with tears I listened to David talk of the importance of holding onto the good moments.

Hold Onto Memories is the one track on Evolution that always makes me cry. Tonight, watching the band wrestling with their own emotions as their personal memories were played on the video screen was no exception.

There was only one song that could follow that – The Sound Of Silence. Goosebumps! Mobile phones and lighters held aloft. Glasgow were not silent. They sang every word! Stunning stuff.

Indestructible and Inside The Fire rounded out the main set.

Barely had the lights dimmed and the band stepped off stage when the fans started up the chant of “Here we, here we, here we f**king go” With wide smiles Disturbed responded to the call and returned for a three song encore that opened with The Light, still one of my personal favourites from Immortalised. This was made even more special for one die hard Scottish fan as he was welcomed on stage to share the experience with the band. A nice touch…even if from the crowd it looked as though he was getting some weird lap dance from the guitarist! Memories to last a lifetime for that lucky man.

As always, Disturbed ended the night with Down With The Sickness. Awesome end to an awesome night.

Tired hot and sweaty, the capacity crowd headed out into the night…till next time when we’ll meet in a cooler, larger room perhaps.

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Monster Truck @ SWG3, Glasgow 22nd April 2019

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I’ll start this review with a rare sentence- on a warm sunny Easter Monday (Yes- it was hot and sunny in Scotland in April!) Boy Child, Mr A and I walked across the Millennium Bridge and along the banks of the River Clyde in search of the venue for the evening.

Armed with Google maps, we had no difficulty in locating SWG3, a new venue to all three of us.

Who were we there to see?

Canada’s finest – Monster Truck!

Before we get onto the music here, a little info about the venue itself. SWG3 (Studio Warehouse Glasgow) is a multi-disciplinary arts complex in the west end of Glasgow. We were destined for the TV Studio which is a former Customs and Excise bonded tobacco warehouse with a standing capacity of circa 1000. Could this venue be the one to fill the gap left by the loss of the O2 ABC in the city centre? Time will tell on that one.

For a Monday night the complex was busy with three separate events taking place. We found the right queue, waited patiently, got our tickets scanned (anyone else get that little surge of excitement as you hear the “ping” of those scanners as the doors open?) and our hands stamped with a large blue logo for the venue.

There was only one support act on the bill – Royal Tusk from Edmonton, AB. These four Canadians were making their Scottish debut and what a debut it was! Their nine song set may have only lasted forty minutes but in that short space of time Royal Tusk captured the hearts of the Scottish rock fans.

Anyone familiar with Glasgow rock show etiquette knows when the chant of “Here we, here we, here we f**king go” starts that the crowd love the band on stage. Never have I heard it sung so passionately for a support act.

Never have I heard the fans booing in disappointment when the support act say they only have one song left.

Royal Tusk, take that as a huge compliment. You earned it. Awesome Scottish debut. Hurry back, guys, please.

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The crowd had only just got their breaths back when Monster Truck’s intro tape of “Long Live Rock n Roll” began to play. Monster Truck roared into life with The Lion. These four Canadians certainly know how to rock!

There’s no frills with these guys. There’s very little chit chat or banter. There were certainly plenty of smiles as front man Jon Harvey grinned his entire way through the set from under that curly mane of his. What shone out was that they were enjoying playing their ninety minute set as much as the Scottish fans were enjoying hearing it.

The set opener was followed by Don’t Tell Me How to Live -loved it! Here, have a listen……

 

https://www.youtube.com/watch?v=9_pIcpKfBWs

(credits to the owner Red Rocks via You Tube)

Then came the first offering from their current album True Rockers, Devil Don’t Care.

Their seventeen song set was a balanced mix of songs from all three of their albums. Five tracks from the current album, True Rockers, made the list and the fans lapped them up along with the more familiar favourites.

Picking highlights from this set is tough. There truly wasn’t a weak song on there. For crowd participation Things Get Better might just edge into the lead as the highlight of the main set. Glasgow certainly showed these boys from Hamilton, ON that we know how to party and we like to sing.

The main body of the set was rounded off with Sweet Mountain River

https://www.youtube.com/watch?v=VDQFhsu0tqw

(credits to the owner Red Rocks via You Tube)

Glasgow wasn’t for letting these guys go and they swiftly returned to the stage for a two song encore of Why Are You Not Rocking and New Soul.

Monster Truck most definitely rocked! As a venue SWG3 TV Studio rocked and as a crowd, well, we rocked too!

Great climax to a sunny Easter weekend.

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Now to figure out how to get that blue stamp ink off the back of Boy Child’s hand!

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thanks to Red Rocks for sharing their videos on You Tube

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Slash featuring Myles Kennedy and the Conspirators at the SEC Centre, Glasgow 17th February 2019

 When I bought the tickets to this show, I remember thinking “we better not be knee deep in slushy snow for this one.” The weather Gods were shining on us though as Boy Child drove FB Son and I towards Glasgow. With the sun setting behind us we headed off to the SEC Centre (former SECC).

We had a date with a “cat in a hat” and some conspirators and, of course, Myles Kennedy. Yes, we were headed to the SEC to see Slash featuring Myles Kennedy and the Conspirators.

It must be something about the SEC – my second visit there in three months and the second time my chaperones ditched me as soon as we got there! Their loss!

After a chilly hour or so queuing outside, we were finally allowed indoors. (SEC- you could have let has queue indoors down the length of the concourse. Rock fans don’t bite and have little interest in the cheerleaders that were charging about!)

Most of the queue headed stage right (Slash side) but I headed left of centre (Conspirators side). Centre front was already pretty packed but I found a wee spot to the left just about on the rail and safely among “AB family.” (Ladies, it was fabulous to see you again)

There was only one support act on the bill and at seven thirty prompt Phil Campbell (of Motorhead fame) and the Bastard Sons (yes, three of the band really are Phil’s sons) took to the stage.

These Welshmen had a lot of fans in the rapidly growing crowd or perhaps it was a lot of Motorhead fans. Either way, Glasgow gave the band a huge welcome and embraced their forty-five-minute set whole heartedly.

Vocalist Neil Starr did a sterling job out front and swiftly won over the Scottish crowd. His energetic delivery was impressive. (One wardrobe suggestion, Neil. Buy a belt!)

It’s virtually impossible to disassociate this band from their Motorhead heritage. The influences are audible in their own material and they almost raised the roof with their cover of Born To Raise Hell.

Phil Campbell himself quietly presided over things but did address the fans once to say that the next song was in memory of the late members of Motorhead – a rousing cover of Hawkwind’s Silver Machine.

There was only one song that could follow that – Ace of Spades!

The band finished on one of their own compositions High Rule and left the stage with their heads held high.

 

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At eight thirty, the houselights dimmed and amid a sea of roaming blue spotlights, Slash, Myles Kennedy and the Conspirators took to the stage amid a deafening roar from the large Scottish crowd.

They opened their twenty-two-song set with Call Of The Wild from the current album Living The Dream then swiftly followed that with two of my personal favourites Halo and Standing In The Sun. Awesome start to this two hour plus set.

Far to my right, Slash was busy being Slash with his die-hard fans hanging on his every note.  Trust me, there were plenty to hang on!

Centre stage, Myles Kennedy looked far more self-assured in his role of “guitar-less frontman” compared to the last tour in 2014. This was the third time I’ve had the pleasure of seeing this line up and it was a joy to see them al relaxed and having fun on stage.

In front of where I was standing, Frank Sidoris was holding his own against “the boss” under that mass of tumbling hair of his. Love it! The baby of the band, he just quietly gets on with the job.

Possibly the biggest presence on stage is the band’s bassist Todd “Dammit” Kerns. The camaraderie between him and Myles is clear to see but it was great to see him interact more with Slash himself.

One of the highlights of the night was Serve You Right, also from Living The Dream. (The third of seven songs on the set from the latest album)

 

https://www.youtube.com/watch?v=FQFL4emWkU8

Mid-set Myles stepped off stage to allow Todd Kerns to take over the vocal chores for a couple of songs. The two contrast and complement each other beautifully.  Todd did a stunning job of We’re All Gonna Die then, with another dedication to the late great Lemmy, sang his heart out on Dr Alibi.

 

https://www.youtube.com/watch?v=2ABVlCTISuw

 

When Myles returned to the stage, they moved into the second half of the show with Lost Inside The Girl. Love that one! So soulful and sultry.

One of the highlights of the night for me was By The Sword. I could listen to Myles sing this one on repeat all night. (OK, I’ll be honest, I could listen to Myles sing most things all night but I do genuinely love this one).

 

https://www.youtube.com/watch?v=3WYym6sKws8

 

The only Guns N Rose song on the set was the mighty Nightrain and it proved to be a popular choice with the passionate Scottish fans.

The ever-beautiful ballad, the first song Myles and Slash collaborated on, Starlight followed. Simply divine!

You’re A Lie followed then World On Fire complete with some extended solos rounded off the main body of the set.

“Extended solos” were perhaps a point of debate among the fans present. Personally, I feel if you go to a Slash show you have to expect multiple lengthy guitar solos that do all start to sound quite similar after a while. If you think you’re going to hear anything different then you are kidding yourself on. It was an absolute delight to see Myles getting to play a little more this time round. At the risk of incurring the wrath of legions of Slash fanatics, in my humble opinion, Mr Kennedy is the more talented musician between them. There…. I’ve said it!

Myles also displayed some “hidden talents” as he accompanied Brent Fits on drums! Suspect he needs a few more lessons here though…LOL

 

https://www.youtube.com/watch?v=694YrhwOfxI

 

I have to wonder how many fans in the crowd were focussed on the drumkit t at that point rather than on the musician in the spotlight……

The band returned to the stage a few brief moments after leaving it, and brought the night to a close with a two-song encore of Avalon, from World On Fire and the ever-popular Anastasia. It was a sheer delight to watch Myles playing so passionately during this finale, clearly lost in the music and Living The Dream.

And just like that, two and a quarter hours had passed in a flash.

What a show! Here’s hoping it’s not another three plus years until these guys return to Glasgow.

 

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Rival Sons at Barrowlands, Glasgow 1st February 2019

On a bitterly cold Friday night, Boy Child and I boarded the 525 to Glasgow. Wrapped up against the wintery weather (yes, Boy Child had even put a hoodie on!) we were heading to Glasgow’s iconic Barrowlands to see Rival Sons.

It had been way too long  since we had last seen these guys. Almost four years!!

With the venue’s iconic sign lighting up the night sky and sleety, snow doing its best to fall on the growing queue, we waited impatiently for the doors to open.

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Lady Luck wasn’t on our side and we missed out on a rail spot for the evening. C’est la vie. Instead we positioned ourselves to the right of centre and one row off the rail.

There was only one support act for the evening – The Sheepdogs. Hailing from Saskatoon, Canada, this five-piece band delivered a pretty solid eleven song set. Feeling slightly dazzled and bemused by front man, Ewan Currie’s, sequined suit, I felt like I had taken a step back in time to the early 1970’s. Don’t get me wrong, these guys did a great job of getting the crowd warmed up on this chilly night but, overall, they left me a bit cold. Only one song caught my attention early in their set, “I’ve Got A Hole Where My Heart Should Be. Try as I might I couldn’t warm to The Sheepdog’s poor man’s “Allman Brothers meets Lynyrd Skynyrd” sound. Sorry, guys.

 

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By 9.15 the capacity crowd was growing slightly restless as we waited on the headliners to take to the stage.

The lights finally dimmed, the PA tape stopped and the skeletal image of a dog was projected onto the black back drop. A red heart pulsed within its ribcage and the air pulsated with the sounds of a heartbeat. As the sound reverberated round the room, Rival Sons took  to the the stage to open their ninety-minute set with Back In The Woods from their recently released album Feral Roots. Judging by the Scottish fans’ reaction, most of the crowd had already familiarised themselves with this album. A good job too as there were nine tracks out of the eleven in the set! Sugar On The Bone, another new song, followed and then the ever-popular Pressure And Time rounded off the opening trio.

Looking as sharp as ever, Scott Holiday reigned supreme at his side of the stage. Boy Child was hanging on his every note.

The Jaybird himself, Jay Buchanan, was in fine form. Wearing a dubious looking pair of trousers (I’m sure my mother had curtains in that fabric in the 1970’s) Jay paced the length and breadth of the stage throughout every song, barely standing still. The shoes didn’t last long  either and Jay performed most of the set barefoot.

This was the third time we’d seen Rival Sons headline in Glasgow and I struggle to accurately describe their enigmatic front man. You ever really know which Jay you can expect to appear on stage. What you are always guaranteed is a stunning vocal performance from one of the best voices out there. He didn’t disappoint on this occasion either.

Electric Man from their Great Western Valkyrie album almost raised the star studded roof off Barrowlands. Awesome!

 

https://www.youtube.com/watch?v=vIF7yOuoJLQ

 

Personally, I was delighted when Jay introduced Jordan, saying that there were folk in the crowd who needed to hear it. I love this song.  I needed to hear it. This beautiful ballad has been rearranged somewhat for 2019 and, if I’m being honest, I prefer the original arrangement. That said though, listening to the Jaybird pour his soul into the lyrics raised goose bumps…..stunning stuff!

Glasgow proved to be in fine voice all night but sang especially well through Torture. Showing a playful side, Jay had various sections of the crowd singing off against each other and, maintaining the high-spirited mood, the fans kept their chanting up long after the band had finished the song.

The main body of the set was rounded off with four of the last five songs coming from Feral Roots, including the title track and a live premiere of End Of Forever. Do Your Worst brought the set to a thunderous climax.

A few moments after leaving the stage, the boys from Long Beach, California were back out for an encore. They opened their two-song encore with the beautiful Shooting Stars from Feral Roots. The album version has a gospel choir backing it. Rival Sons didn’t need one here. They had a sell out Glasgow choir instead. A true moment of musical magic.

The ever popular Keep On Swinging brought the evening to a rousing conclusion.

A truly awesome night in the company of Rival Sons. I just wish Where I’ve Been had made the set…..next time, boys.

 https://www.youtube.com/watch?v=QQunQAY8h7g

 

 

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additional photo credits to Boy Child

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